Rules: Once you’ve been tagged, you are supposed to write a note completing the 36 “I’ve come to realize.” At the end, choose the friends you want to be tagged. You have to tag the person who tagged you. If I tagged you, it’s because I want to know more about you or I knew you way back when and am interested in what life has taught you!!

1. I’ve come to realize that my chest-size…

More importantly, my chest hair is not actually greying yet. That was my cat’s hair.

2. I’ve come to realize that my job…

Is paid for for the next 3 years, Boyeeeeeeeeeeeeeeeeeeeeeee

Let me start with a brief eulogistic aside.
I’ve known Pat’s family for almost 30 years. We are brothers and his brothers are my brothers. When we were children his family tended the S.N.P.J. Farm in Kirtland, a Slovenian cultural-heritage benefit and preservation society gathering place (no one noticed they were Polish-Irish {wait, yes they did}). The SNPJ would have public dances to benefit our Midget (Pee Wee) Football League and host weddings and they had putt-putt and a rather large collection of playground equipment. When I saw Pat get off the bus in Kindergarten and run up the drive to this compound, I figured he was the richest kid in the world. My dad was Sunday morning regular at the bar under the house of the caretaker so I met Pat very early on. His mom would tend bar. You have to understand that to our parents’ generation, a bar was what a coffee shop is to us. A bunch of old brick-layers, painters and shit-truck drivers reading the paper and gossiping over a beer and a hard-boiled egg. Maybe someone would light up a pipe. It wasn’t a place to get smashed or argue and loud music was not tolerated. Find a honky-tonk on Saturday night if you want that. I grew up in these shot & beer joints, where we ate lunch or unwound after leaving some construction job site. Well, Dad unwound. I played video games or at the SNPJ Farm, wandered off to the river or hung out with the kids of the caretakers.

Eventually, my parents split and I moved to Shreveport, Louisiana for a while. When we came back we moved into a house sprinting distance from Pat & his family in their new house. From age 10 until after high school graduation, I was in his house as much as my own. A handful of neighborhood kids were. Pat’s mom raised me as much as my own mother did. We played Dungeons and Dragons there on Fridays (his older siblings played Saturday nights). One of his older brothers usually had a friend living there so the place was just lousy with smelly young men. Steve Somerville and I would sneek out at night sometimes and wander into Pat’s house and crash in the living room at 4a.m. I’m not sure any of the parents were exactly happy to wake up and find children randomly missing from or appearing in their homes, but they sure didn’t let us know if they were displeased. Pat’s mom imposed no law over us. She didn’t need to. She commanded no respect from us. Her demeanor compelled us to be polite, respectful and pleasant, as she was to us. Oh, sure I remember her near crack-up around the 200th D&D game within one year, but you’ve never seen a more civil display of displeasure. “Why does it always have to be our house, Paddy?”. Still, we flushed the toilet, made local calls only and sometimes kept our voices down. And NO BLUE HUMOR, ever!

It was a bucolic existence, you know? Unlocked doors, cane-pole fishing, falling out of trees and breaking ourselves into many pieces. Some of our neighborhood parents had loaded guns behind doors (sometimes every door) and we somehow managed to not shoot the shit out of each other without the help of Ritalin. Fear and respect were healthy. We were pretty sure we actually lived in Bloom County.

After college, Pat & I worked with his dad and older brother, Mark in their heating and cooling business. I was saving money to move to New Orleans. Pat was starting a Masters program. Before I left, two more friends (Edd and {yet another} Steve) had come to work with us. Friends we’d known since kindergarten and high school. I’ve got to say, this is the only way I could work construction. Man, you can do anything with your best friends. Even HVAC. Sort of. We all referred to his dad as “The Ol’ Man” and each had our own special impersonation if him. All endearing, you understand.

When I was in New Orleans, Pat’s dad passed away. Edd called me to tell me and I tried like hell to get back up to Ohio but I just didn’t have the resources in place to pull that off with a day’s notice, still young and stupid. Well, younger and more stupid, anyway. Eventually the HVAC company was just Mark and Edd. Pat’s mom told a great story about being on the phone with 911 when her husband passed away. They said, “Do you know CPR?” She said, “Have you ever seen an asthmatic give CPR?” Absolute candor.

Pat and I were in each other’s weddings. Someone brought a female to Pat’s wedding that eventually found it necessary to either partially or completely disrobe. Pat’s mom wasn’t fazed at all. “We had a naked Lady at our wedding? Did you have a naked lady at your wedding?” she would ask people.

My wedding was one of the last times I saw Pat’s mom. I lived and got married on a property where we rented a cottage that was two doors down from where Pat’s family lived in the mid-1970s before the SNPJ Farm. After that I think I only saw her at a Baptism or two. It wasn’t a shock to anyone when she passed away in the middle of September. Honestly, we were all waiting for her to keel over and die right there in front of us while watching Jeopardy on any given evening in 1984. And 1985. And 1988. We watched a lot of Jeopardy. Look, she smoked and coughed like a person who has certainly breathed her last- always. It’s the real reason we were all so well-behaved. No one wanted to trigger it. But she had been dealing with multiple myeloma in the last few years. Sometime in the past 5 years or so, she moved to Florida with her daughter. So I had certanily made my peace. As had Pat and his brothers. Of course it didn’t make it easy on any of us. The funeral was September 22nd and Mass & interment the 23rd, just hours before the 6th annual Somerville pig roast (that’s another blog entry). Pat originally wasn’t going to make it down from Buffalo, New York where he lives for the pig roast, but we joked that his mom really wanted him to be there. We spent the night before drinking Manhattans “Up” in her honor (good Irish lady).

Obviously, then, we weren’t all there just to support Pat in his loss. It was certanly our loss, too. She taught us, fed us, put up with us and entertained us and we will miss her terribly. I’m honored to have been a satellite of the family. Ok, it wasn’t such a brief eulogistic aside.

Flash forward four weeks. None of us who trade emails regularly really put it together when we hadn’t heard from Pat for several days after Buffalo, where he lives, was hit by a major blizzard on October 13th. We had planned to meet up and go see Iron Maiden in Toronto on October 16th and he hadn’t responded to my Email to start coordinating the evening. Finally he Emailed, saying that he was in a bad way. He hadn’t had power or phone or heat or hot water for 3 days, he sent his wife and four children to Mentor, Ohio to be with her parents. There was water in his basement, his food was out on the now-warm porch and he had sent his cell phone through the snow blower. I said, “Good. Sounds like you’re ready for a concert and a beer.”
Somerville and I drove up to scoop him up for the show. We were not ready to see what we saw. Buffalo looked like a class 3 hurricane had hit it. It was bad enough that they got 18-24″ of snow in a matter of hours, but the real problem is that the trees still had their leaves and caught all of it. And then cracked and collapsed in a heap. My understanding is that it fell so quickly, people were trapped on the Interstate and had to be brought water and gasoline by snowmobile. I’m pretty sure every tree in Buffalo is splintered.

Pat actually lives in Clarence. We turned down his street and it was even worse. At the front of each and every yard was a 6 to 8-foot tall pile of tree branches that spanned the entire yard. It was just a giant wall of wood and leaves down both sides of the street. Pat’s yard was in ruins. A large old maple in his front yard was split right down the middle. The Peach tree has one branch left. His apple tree was uprooted.

The Willow is splinted in every direction

And the Maple in the back of the house has pulled every wire from his house in a very messy fashion.

there are wires in there

Pretty incredible, Actually. Pat had procured a generator by the time we got there Monday. The sump pump was plugged in in the basement, but water was still coursing in at an alarming rate. I will guess about two gallons an hour. We spent a while looking at the carnage, then headed off to Toronto.
We had a good time and Iron Maiden KILLED. Maiden suffer a big problem that only really old, really popular, really good bands suffer from. What to play in the setlist. They simply can not please anyone. This is my 20th year of attending Maiden concerts, and look, man, I love “The Number of the Beast” as much as the next guy. But I think I will still die happy if I never hear it live again. But they are not a band like Jethro Tull, who also has been making fine music for many thousands of years, but has a fan base that doesn’t want to hear anything but “Aqualung” and “Locomotive Breath”. They whip into 1995’s “Roots to Branches” and everyone leaves for a beer.

Iron Maiden have a good mix of fans of every age. They are not lacking in teen age fans that know all of the words to the album that came out two months ago. It’s not a bunch of fat, bald old bastards yelling, “Play ‘Run to the Hills’, Dude!” But they are there. So Maiden have fallen into the trap of 1.) Play some songs from the new album 2.) Play these 4 songs every show, ever 3.) Select and play 4 songs from a group of 16 songs that never really retire. But they are always trying something new. They are not afraid to grow. Therefore they are always pissing someone off. So this tour they are playing the new album in it’s entirety (not a terribly new or original idea, but new to them). Personally, I loved it. To me it was a breath of fresh air. I thought the new album was damn good, not spectacular. But every song was great live. I had a whole new respect for the arrangements and came away liking every song more than when I went in. I heard the guy next to me, who was apparently introducing the band to a buddy, say, “This is the last song on the new record, they’ll start rocking out the old stuff next”. He was probably upset that they only played two more songs berfore encores. Some people, however were fit to be tied. They just want to hear the Classics.

Before we left for home, I told Pat we should come back up with boots and chainsaws and
help clean up this mess. He eventually conceded and Steve and Janine and I came back up on Saturday. I brought Pat a cool old copy I found of Emmanuel Ringelblum’s Notes from the Warsaw Ghetto. You know, to cheer him up.
The four of us cleared away pretty much all of the dangerous stuff from his yard. Andy was out of town but sent a chainsaw with us which was good. We had three and couldn’t keep them running worth a damn. It took all three to always have one that wasn’t flooded. It took me all of 20 minutes to climb a tree and twist my shoulder so badly I couldn’t pull the pull-starts on the saws. But eventually the yard looked pretty clear and at least nothing else was in danger of falling out of the trees onto the house or children. He’s still going to need a professional service to come out and get the trees healthy again and remove some. It was really good to feel like I had made productive use of my time on a Saturday instead of sitting in Yours Truly, eating potatoes smothered in cheese & eggs, then hitting a bookstore.

Then, just a week later, I lost power at my house. for 30 hours or so. When I called the electric company’s 800 number, they hoped to have everything on line by monday night. And when they read off the hardest hit areas, we weren’t on it. That tells me we’re not a priority and I had better get a generator. But I also know they overshoot the time estimate so people are happy when the power comes back “early”.
Believe it or not, I got a generator with no problem. Well, I had to swallow my pride and buy it from Home Despot, with whom I practically have a blood feud going on now
.
The time change actually helped us. We forgot about it and were driving around Sunday morning, wondering why all the stores were closed. We’d call each store and get the message: “The Store is now closed; our Sunday hours are 8am-6pm.” We were like “Well shit, they must not have power. What a way to serve the community! They should be out here with a pile of generators, taking cash and swiping credit cards the old fashioned way! Assholes!” So we headed west. So we figured we could drive to Detroit if we had to. Lowes was already open but the guy on the phone said they they had been sold out since Buffalo got buried. And they’re tightly allocated. They only get 2 or 3 generators in at a time, anyway. So things were not boding well. I figured if worse came to worst I’d call Pat and see if I could borrow his. At least I’d have power by evening.

But we only got to Mentor when I realised there had been a time change, so we rolled into the parking lot right at 8 and went in as they were unlocking the doors. There were a few of us there for generators (which they actually had in stock), but the other people were looking at the more expensive/powerful ones. I was all ready to punch a Grandma in the face all Tickle-Me-Elmo style. So we paid for it (don’t know how, the cat just spent another 3 days in the ICU- I haven’t even started writing about that yet.) and went home. I just powered the Fridge, space heater in the bedroom (where Gillan was confined as he was so weak he’d probaby fall down our stairs) and the animal room in the basement. If I lose my Parrot cichlid because I was an idiot and I knew the day I moved in that we would definitely need a generator, but couldn’t get one when I needed it, I would never forgive myself. So here were are, broke idiots, already out of power trying to get a generator while everyone else is, too.

I made a pigtail out of a heavy-duty extension cord to wire the boiler or water pump, but it never came down to needing to.

So here’s to winter just starting.

a brief eulogistic aside.

posted by Jimm @ 11/10/2006 10:29:00 PM
andy said…

Damn… man. That Pat’s mom thing.

Ah.

Words fail.

Monday, November 13, 2006 10:12:00 AM
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Blogger Jimm said…

aw geez. thanks

Monday, November 13, 2006 10:41:00 AM

This Youtube video features an old interview with Dave Navarro, talking about coming clean from heroin. The interview is spliced into the “Been Caught Stealing” video. It’s nothing new- same old story you’ve heard from every ex-junkie, “BlahBlah, I didn’t think I was hooked, blahblah, I puked on myself…” . But, man, this takes me back. What an impact these dudes had on me. Jane’s Addiction was my coming out music (read my 2003 Lollapalooza review for more on that). THIS was art. These guys, somehow coming out of boring old L.A., spouting the same boring old L.A. wasted – life – drug – culture – transvestite – bohemian – junkpile – for – a – wardrobe schtick as a million others, to me, somehow created some of the greatest, most original, most beautiful visual and audio art ever produced. I wanted to live in that mess of candles, garbage, novena accouterments and Christmas lights, all arranged just so on Oriental rugs. This was clearly a band bringing forth what I had had in my heart for years but didn’t know until they showed it to me. Ritual De Lo Habitual has to be the best-produced album of the 90s. I’m sure of it.

It breaks my heart to see Dave now. I see someone who once made such original art now wearing the uniform of every other Gen X stooge. Tattoos and piercings. How very 1993.

I still think he’s a great player. I think his new music sounds like all the other crap on “X-treme Radio”. I just hate to see him as a trend-jumping hack. As I said, Jane’s was doing what everyone else was doing but somehow made it different. I don’t get that from dave now. I get Madison Avenue’s version of what dave was.


I don’t buy the argument that he was an originator of these trends. If the so-called alt-rock of the late 80’s truly spawned today’s “hip” music, it has been so inbred and distorted by marketing that it truly is a whole different animal, even if “Jane Says” gets airtime right next to any band on the “Warped” tour. I’m sure they get played on either side of a Red Hot Chili Peppers Hit.

The Chili Peppers are another perfect example of the same phenomenon. The Chili Peppers I grew up on were buck naked and (like L.A.’s David Lee Roth before them) 12 feet in the air at all times.

Riding a paisley dragon through the Hollywood hills, yeah! It was like nothing you’d ever seen before. What energy! Now, They are so watered down, flaccid and generic. Bor-ing!

I used to blame Rick Rubin. I don’t find it a coincidence when a great (but not terribly popular) band dumps a truckload of money on a big-name producer and suddenly they have major rotation on Mtv and a Rolling Stone cover with every major album release. Def Leppard did it with Mutt Lange. Metallica did it with Bob Rock. Chili Peppers did it with Rick Rubin.

But then again Rick Rubin produces Slayer. You sure don’t see Slayer on the cover of Rolling Stone. Do You? I really don’t know. I just have to admit these bands sold out wholly on their own and producers (like cowbells) are just tools to be used for good or evil.

So what is it? Am I really that pissed off that I’m no longer 17? Last I checked it was a pretty miserable time in my life. But then that’s what art feeds from, right? Cataclysm and strife?
Steve Harris
Iron Maiden’s Steve Harris said it beautifully. I can’t recall the exact quote, but he basically said, “Look, I can’t compete with your memory of your glory years. I’m glad ‘The Number of the Beast’ was the soundtrack to the years where you had the most fun and least responsibility. But I’ve grown a lot in the last 14 years. I don’t want to make another ‘Number of the Beast’. I just busted my ass for a year making the best album I could. No, it’s not going to make you feel like you are a teenager again. And don’t you dare write it off outright because of that”.

Steve is a pretty bright fellow, and not a disillusioned one.

This was concerning the infamous time when Steve attempted to kill an album reviewer. in 1996 he had just been divorced, Maiden lost their very popular singer, his dad was dying and Maiden’s new singer broke his leg in a motorcycle accident and had to recuperate for a year before working. They pounded out what I think was their best effort since 1984, ‘The X Factor’. A Kerrang magazine reviewer simply called it ’shit’ and moved on. Steve actually jumped in his car and drove right down to the magazine studio to crack the guy’s head open. A man on the edge, indeed (sorry).

They may or may not make music as well as they did 20 years ago, but Iron Maiden can never be accused of following trends for the sake of improving sales. They have more integrity and strong-headedness than any “punk” band (or any other band selling the image of ‘fighting the man’ or ‘integrity at all costs’) I can think of.

Maybe it’s the drugs. Maybe drugs really do enhance performance. Dave said in his video that he would think he was playing better than ever while stoned out of his mind, then hear the tape while straight and it was an embarrassing mess. But I can think of dozens of people who should’ve gotten out of show business the minute they stopped doing drugs: Eddie Van Halen, Robin Williams, for instance. You guys should’ve overdosed and gone out with dignity.

But nostalgia is a powerful tool in generating allegiance. I still have great affection for these people and tend to turn a blind eye to recent, lower quality material (well, not Robin Williams).

Tom Waits is another story.
I recently went through one of the most traumatic and disappointing episodes of my life which was a failed attempt to obtain tickets to a performance by Tom that will be held in a city near me soon.
It’s a long story, but I was actually able to get to the “pay for your tickets” portion of the check-out on the Ticketbastard website twice. Ticketmaster has a fairly retarded and non-user friendly E-commerce site. I spend a LOT of time on the interweb-thingy. I buy a LOT of stuff there. I am fully qualified to judge them as shitty. First, they forced you to choose an option for obtaining your tickets. They only offered one (incorrect one): Will Call (Out of the United States). They ask you to choose your country of Origin (obviously the U.S. is not given as an option in their drop-down menu). If you attempt to fix anything, the form clears and you start over.

The previous night, I logged into ticketmaster to make sure my account and card information was up to date. The second time I go to the “pay for your tickets” portion of the check-out for Tom Waits tickets, they did not offer for me to pay with the information I had on file. They only asked for credit card info. When I entered it, it read: That card is already on file-enter another one”. I had apparently fallen into a data-entry form, not the pay feature. How fucking retarded. If you attempt to fix anything, the form clears and you start over.

The damn thing sold out in about 6 minutes. I almost fainted I was so angry. I’m pretty sure I could kill any Ticketmaster employee with my bare hands even now. First off, the whole “will-call only” stipulation is out of line. Here are all the rules for ticket sales for this event:

There will be no venue or box office sales for this event. 2 ticket limit. Phone or Internet Sales only. All patrons will be required to present a valid picture ID matching the name given at the time of purchase in order to receive their tickets and gain admittance to the show. Patron names may NOT be transferred once the ticket purchase transaction is complete. Will Call will begin at 4pm. Immediate entrance into the venue is required.

Great. I would love to sit in your shitty seats for 4 hours waiting for the show to begin. Now, this supposedly is to curb scalping, right? Make it a huge pain in the ass for anyone to buy tickets. God forbid you freaking work for a living and can’t buy your own tickets. Ticketmaster doesn’t give a shit. And the $785 paid for tickets on Ebay proves it didn’t help a damn thing.

From the Ebay Seller:
I am aware of the policy for the show about picking up tickets. A friend and I both have tickets. We can only use one pair for ourselves. the venue requires entry immediately upon ticket pick-up, the winning bidder and their companion will walk in with my friend and I. I will escort one person and my friend will escort the other. Once inside, we will give you the tickets described above and we will use another set. If you win this auction, YOU WILL GET INTO THE SHOW.

Good job, assholes. Way to protect the market.

Now, why the Hell is Tom setting this up anyway? Oh, his official answer as to why he had a 2-week tour is very cute:

“We need to go to Tennessee to pick up some fireworks, and someone owes me money in Kentucky.”

Well, Tom, I’m very happy that you’re so much of an artist that you need to prove how much you don’t need money by playing to 1/10th of the audience that wants to see you. If that’s the case, why did you pay for a full-page ad in the Cleveland Free Times when the damn thing would’ve sold out in 10 minutes no matter how much of a secret you tried to keep it? Ego? Or were you just trying to keep the hype up? That’s dangerously close to the stinky monster named “Marketing” which I would assume you are too much of an “artist” to use. You Are a ‘prestige artist’, right?

Now, Tom sues about six people a year because they made a commercial with a singer or voice that sounds too much like him (good thing Satchmo is dead). For a man so supposedly hell-bent on artistic integrity, I can not support these ticket sales tactics. (That link might actually go to a real TW commercial).

Well, I guess I won’t go. It was only going to be the most important thing in my life. Something I had assumed I’d never have a chance to experience- like seeing Joni Mitchell, or a reunited Van Halen. Well, I guess I had my chance. This whole thing really tarnishes the other-worldly mystique I found in and adoration I had for Tom Waits. Ticketmaster is such a shitty institution. Now that shit is on Tom Waits. What a shame to see so many years of enjoyment be tainted by marketing hype and therefore money.

There are excellent artists out there who truly live for sharing their music. They prove their lack of need for money simply by losing their asses on every single tour and still getting out there as often as they can. One such band is the Headhunters.

So, Tom’s first major release came out in 1973. He’s made enough money in 33 years to sit on his ass on his estate in the Sonoma wine country and watch his children grow. Good for him. He doesn’t have to be bothered with the rigors of touring. He can put out an album every 6 years and still be called one of the greatest “performance artists” in the world. Well, he had to perform it to record it, right? We all have the right to slow down. I’m 32. I’ve been a fan since 1997. I can’t help but only catch his twilight years.

The Headhunters, however, are still stuck in stinkin’-ass New Orleans, God bless ‘em. OK, Paul Jackson has lived in Tokyo for 25 years, but still….
Coincidentally, their first major release came out in 1973. Fronted by Herbie Hancock, they created the fusion genre along with Weather Report, Return to Forever and a bunch of other people who were on Miles Davis’ “Bitches Brew” sessions. They were left high and dry by Herbie long ago, but they just kept playing, breaking up, giving up, getting back together and going back out. Percussionist Bill Summers has been on over 2000 recordings. You just keep working.

I

had the pleasure of seeing them at the Grog Shop just last week. What an awesome time. I saw them last year at the Beachland Ballroom. But the Beachland just isn’t a great hall. It’s just never a comfortable place to see a gig. It was a great show. I really wasn’t ready for Paul Jackson to kick my ass all over the place like that. I’m up on my bass players, but that dude killed me. And they had the mighty Skerik on Saxophone. I actually expected more from Skerik, but he eventually heated up and it was a great show and I went home happy.

This is an aside, but as good a place as any to get this out:
I’m very happy to see the greatest jazz artists in the world finally finding a little bit of a home with the jam bands. You can see the Headhunters, Meters or Jonas Hellborg/Paul Hanson/Jeff Sipe at these festivals with 100 Greatful Dead / Phish wannabe bands (like Les Claypool). Though I think a big festival is better than a bar-tour where they would play to 15 people at a time, it validates the inaccurate view in the minds of the performers and fans of the jam bands that they are engaging in improvisational Jazz while limping along in their can’t-get-out-of-’A’ bullshit. Skerik has also found a home with these bands, and can bring the fans to Headhunters gigs outside of the festivals. I fully support it.

So back to Thursday’s show:
Paul Jackson was out sick and they replaced him with none other than legendary Meters and Funky Meters (not to mention Tori Amos) bassist George Porter, Jr. Wow! What a treat. George is a lesson for the instrument. Actually, the whole band is. You want to know what bass playing should really be? Just Watch George. You want to see how a percussionist really works? Just watch Bill.

And the horns!
The horn players were former James Brown and JBs trombonist Fred Wesley (You know, “Breakin’ Bread with my Mama, Breakin’ Bread with my Papa, Breakin’ Bread”!) and Kebbi Williams on sax. You hear Kebbi on Outkast recordings. Now, Skerik is awesome with his harmonized horn and does ground-breaking stuff with effects and signal processing, but these dudes just picked up horns and WAILED. All acoustic, all personality, all excitement,-Knocked-me-out! And they played for 2 hours. We didn’t get out until 1am. I didn’t know Kebbi Williams, but he looked to be 20 years old. I asked Bill how old his horn player was, ‘cuz he was killin’ but didn’t look old enough to. He said “I don’t know, I just met him today!”

Paul Jackson
The Grog Shop has trouble selling this kind of show. This band really still appeals more to adults and it was a Thursday night show. It wasn’t an embarassingly small crowd, but it was intimate.
They had a much better turn out at the Beachland. Afterward we got to bullshit a little with the band. They were gracious with their time. Frankly, they were rather chatty, loading up their own gear (with audience members helping them). The only down point was that I bought a CD from the drummer, Mike Clark (selling from a duffel bag behind his kit). We had a long discussion to make sure I wasn’t buying a CD I already had, but the CDs inside did not match the cover. It was a show I had already purchased. Oh, well. I’m happy to support them anyway-get them gas money to Detroit. When people are fighting to make a living with real art, they tend to endear themselves to me better than those who think they are gracing me with their presence. I consider it money well-spent.

Tom?

~Jimm

andy said…

You know, I’ve said it before but I really mean it now – I’m not going to big shows anymore. Actually, I can’t think of the last time I saw a GREAT big show whereas the small club shows I’ve seen are routinely great. It could be a preference for the small places but I’m not sure I can let it go that easily. I think there is a change that has to be done to a show when it hits a large stage with a large audience. Barring Genesis getting back together, I think I’ll just skip it.

Thursday, July 27, 2006 7:00:00 PM
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Anonymous Katie said…

I actually got Edd to the point where he understood how important it was to me to see Tom Waits when I told him, if need be I would sell my body, or at least forgo upcoming birthday, Christmas, and anniversary gifts for the next 3 years in order for him to let me spend the outrageous amount of money needed to buy tickets on e-bay. But when it came down to it, I just couldn’t do it. As has been said, this may have been my only opportunity to see him, but it just feels wrong.
Plus, now that I found out this morning that it is quite possible that the house we were going to move into in a little over a month may be flooded. Well, let’s just say now is not a good time to blow that amount of money.
See ya in a month or so,
Katie

Friday, July 28, 2006 2:05:00 PM

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Blogger Andrew said…

What cracks me up about the “big shows / venues” (or at least the last few I went to back in high school) is that they often have a huge television screen on which you can watch the performance while it’s happening. And as teenagers we were usually so far up in the nosebleed section that that was all we could do.

What’s the point? Might as well just get the concert video when it comes out.

I think the best shows are when everyone has “equal access,” and there is no audience hierarchy. That seems to require keeping the venue in the 500 and under seat range…

Wednesday, August 09, 2006 1:52:00 AM 3 comments:

“I don’t wanna have a birfday party”

Thank you
This agreement supercedes and replaces all prior agreements 29Jun06 8:50pm

~Jimm
nyarlathotep1936@gmail.com

posted by Jimm @ 6/28/2006 08:04:00 PM 2 comments

andy said…

Goddamn you are a fucking genius.

Saturday, July 01, 2006 9:32:00 AM
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Blogger Jimm said…

I like to think of it as inspired.

Friday, July 07, 2006 4:35:00 PM

OK, I don’t mind that. Adrian Paul’s a good-looking guy. I see minor resemblance, but hey, enough people calling a dog a horse eventually makes a dog a horse. But once I gained a little weight and if my hair became a little unruly, there was another consistent one:

This also followed be across the country. A little distraught I was, once I received the third one of these. I can only console myself by knowing for a fact that this Rolling Stone cover got me sex in college:

Hey, Like I said, Whatever works! If I did a kilo of Heroin a week I’d have one of those Iggy Pop physiques, too.

I heard about myheritage.com, a site that scans a picture of you and tries to match you up with famous people based on your facial construct. I tried a picture from 2004. Here’s what I got:

Art Garfunkel? I’ll KILL ya! I’ll kill all your dogs! I’ll Shave your Cats! The only thing I see consistent here is truckloads of forehead. Except Prince Harry, who is just a waddling nightmare mass of recessive traits since the Royals are more inbred than your average Golden Retriever. Dominic Who? Who is this guy and what is wrong with his features?

How about a 1995 picture?

I give up. This is clearly just a shotgun approach. They just pick 6-8 disparate people that all have, oh I don’t know, two eyes a nose and a mouth, hoping that you’ll think one of them is cool.
OK, I’ll bite. F. Murray Abraham is cool. Hank Mancini, all right but I don’t know about insinuating a family resemblance. I wouldn’t mind being associated with the “Pink Panther Theme”. “Baby Elephant Walk” is right out! Once again, I don’t even know who some of these people are.

So I tried Janine.

Being, if nothing else a wise husband, I will not comment at all here. But I will add that Janine had the Uma Thurman thing follow her around for a few years. I just don’t understand the thing in society that compels friends and strangers alike walk up to people and say “Do you know who you look like…well lemmie tell ya…”.

So uh, who do you look like?

~Jimm